Saturday, 30 October 2010

Series 7

Some paintings... As it takes 4000 years to upload pics on here, the rest will be on my Facebook page and Flickr site..

It's gouache on watercolour paper by the way.

Tuesday, 20 July 2010

Wix Site of the Day Today!

I'm excited that my website has been chosen as's Site of the Day!
Here's what they wrote about the design of the site:

"A set of links on the top of Liz Foongs homepage present the viewer with a clean intro to her sites layout. The minimalist color combination and arrangement of design elements separated from one another by whitespace present a breathable, weightless look. The assignment of rollover effects to the menu labels allows visitors to breeze through the sites pages. Rolling over the artists name brings one immediately back to the home page, an element that contributes to the high usability level of this free website.
Foongs work is accessed through her Portfolio page, which has a drop-down menu appear when rolled over. From here, one can view a gallery of her work divided by genre. Rolling over artwork causes a title and description of the piece to drop down. The font selection creates a personalized look to the sites textual content, and ties in nicely with the hand-made artwork. Links to the artists social networks are connected to icons designed like postage stamps. Everything is custom-made and no detail is overlooked in this professional and uniquely crafted free website."
Thanks to everyone who sent me messages and 'Likes' :)

Wix Site
Liz Foong Website

Sunday, 11 July 2010

Website to be featured as's website of the day

Just thought I should mention as I thought it's pretty good considering it was my first attempt at such a thing! There are loads of websites that are designed much more professionally than mine, but I'm pretty proud of it anyway!

It'll be on the site some time in the next week or so and will be featured in their archives..

Wix website

Saturday, 3 July 2010

Website ready

I've been busy 'designing' my website. I use inverted commas for 'designing' as I am not a pro, I'm just having a go..
Nonetheless, go take a look. It's basically so I can have somewhere to show off my work easily in one place. Plus, it was free - hence the domain name being a bit long.
Hope you like it:

Liz Foong Website

Tuesday, 29 June 2010

Level 5 End of Year Show

After weeks of blood, sweat and tears, the show was put up, seen, then taken down again in the first week of May 2010.
Time to move on and make some more work!

Saturday, 6 March 2010

Glass puddles

First attempt at casting the glass puddles using float glass. Have cut some fusing glass and given a bit more surface area around the mould for it to 'splurge' out a bit more when the glass goes molten. Will compare these two to decide which works best for the form. Using the grogged clay as a mould gives the form texture, which brings out the ripples. Will get some bubbles powder and some eggshells to experiment with bringing bubbles out in the glass.

Saturday, 27 February 2010

A bit of spit and polish..

Well, it's getting there at any rate. I quite like the imperfections so am going to leave them but it needs the patination and wax finish sorted. Looking at notions of the vessel in contemporary ceramics and craft based disciplines eg metalwork, stone and woodcarving. Looking at the vessel in organic forms and the female body, and involving these ideas in my work. After attending the Ceramic Art London 2010 show at the RCA today, I have realised I do not want my work to have that overly polished and perfect look to it. I want it to retain an essence of 'rawness' (of material and assemblage), and for it to reveal the structures that build it. Layers, holes, dips and curves all compliment the form and give insight to the workings behind them.

Wednesday, 17 February 2010

Bronze casting update..

Bronze pour today - it is HOT! Felt like I was studying archaeology at some points - on a building site next to a volatile volcano the next. Amazing process. Loved helping with pouring the metal and hacking into the investment to release the 'placenta'. Tomorrow we're angle grinding off the airs and runners. Can't wait.

Large installation update..

In between casting the 'placenta' in bronze, working for an artist on a barge, and trying to source somewhere to slump my glass puddles, I have been (slowly) progressing with the installation I've been working on. The general layout is shown in the first photograph. I have cut into some of the stalagmites purposefully to show their fragility, as they are hollow and it reveals how thin they are. I have fired them low to create a crackle in the glaze which also makes them look fragile and delicate. The bottom photo shows them painted with bright gold lustre in an unfired state. I will be leaving some of the stalagmites plain and show them in a group together on the floor. Have been looking at artists that work with bone china, as this material is well known for its fragility and translucency, which are properties I am looking to incorporate in my work to realise my ideas.

Tuesday, 16 February 2010

Lustred Placentas..

The lustre enables me to draw out delicate details in the form. The 'veins' are creeping into the opening and give the impression that it is living.

Saturday, 6 February 2010

Peer Project - A Mundane Week.

These are some of my drawings from the peer project we have been assigned. We decided as a group to base our exhibition around the mundane activities we do every day. I have incorporated my obsessive compulsive interests into my contribution to this group work. I arranged the hairs that fell out during my daily shower on the tiles in the bathroom, photographed them and drew them on small sections of watercolour paper. This involves my interest in turning something grotesque into something beautiful - or at least, more acceptable. There were 7 drawings altogether - one for each day of the week we were recording our mundane activities.

Friday, 5 February 2010

Bronze casting the placenta.

Signed up for the bronze casting workshop and used this as an opportunity to cast this piece, to address issues of craftsmanship and value and how this relates to my work. The piece won't be completed til mid-March. Does this put a higher value on the crafted object? Not just in a monetary sense, but in terms of labour, time, care and consideration put into the piece. This is the wax cast of the object before the investment process. It will go through a range of different processes before becoming the finished, polished, bronze piece. I will be producing a diary to document the process from the initial stages to the finished result. I have left the 'flute' at the top of the wax cast to make it more of a vessel shape. This differs from the slip cast ceramic versions I have made where I have purposely made a hole at the top of the piece to make it more cave-like.

Casting and slumping the placenta.

Carrying on with the 'placenta' piece. The idea is to cast two, but both slightly different. Will be using a lustre on-glaze to draw thin 'veins' over the thicker 'veins' that are part of the form itself. I am still making a 'feature' out of the pouring holes in my work to give the impression of a vessel or a cave. I like to work with the casts that dont come out as planned - if they break or slump over. The last two images show the piece that has been manipulated and worked into by engraving the back with a 1mm drill bit, which will be painted with a lustre in the thin grooves.

Ideas and progression on large installation piece.

Working with the idea of turning things inside out and upside down. Looking at bringing things from the inside (of the body) to the outside. Looking at caverns and caves and notions of space between the objects within a space. Been speaking to another institution about doing some slump glass for the puddles (image 2) that will sit underneath the cocooned wax 'hearts'. Also looking at ideas surrounding fine art and craftsmanship and how casting from moulds contradicts the ideas of creating a piece that is unique. Looking at the subtle differences between each individual piece which makes them different from each other. Have been 'engraving' each individual piece differently to help the viewer realise that they all have slight differences. Will show the progression concerning the engraved lines and the glazing throughout the process over the next week or so.